The main reason for its flexibility is its 3 polar-patterns, as it offers the traditional cardioid pattern, as well as figure-8 and omni. You can use it as an omni room mic, a cardioid vocal mic, or a figure-8 mic for mid-side capabilities. A great studio microphone is one that can be used on countless applications and with exceptional results. Sometimes throwing the usual SM57 on a tom or snare and calling it a day doesn’t do a drum set justice. They've been produced continuously from 1960 up through the current production model (Shure Unidyne 545 SD) available today. Try it your snare, tom, cab, and even rock vocals to see for yourself why this microphone is on this list. $$*$$*' ')%%%%%). High-pass filters of 18dB per octave at 80Hz. ���� Adobe d� �� C You’ll no doubt be impressed by how well it captures various instruments and augments each performance. A 17dB self-noise makes it a good option for quieter sources, while the 149dB Max SPL and -10dB pad make it a viable option for incredibly loud sound sources. Boundary microphones don’t really get much attention – but what’s cooler than being able to put a microphone inside of an instrument? tures, hotels, public auditoriums, stadiums, and churches. Detailed policy information regarding customer service numbers, service modifications, and replacement parts. Service & Repair. With that in mind, no matter how good your gear is, the most important part of recording is knowing how to record properly, and staying creative and excited about your craft. The Shure Beta 91A is most often used as a kick mic, but try placing one inside your acoustic guitar to hear it in an entirely new way. You can use it as an omni room mic, a cardioid vocal mic, or a figure-8 mic for mid-side capabilities. It seems like you just can’t go wrong with the SM81. 1 0 obj<>/Font<>/ProcSet[/PDF/Text/ImageB]>>/Type/Page>>
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Additionally, the Shure 545 implements a kill switch, giving engineers a little bit of extra flexibility during the recording process. �� �� ����I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�Kڿ�ե�N4��@�Xu�y��p�^/�:?�3�%��v.$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$����o� �w�Ek�Ix��������� �ظ�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�^��%� ���9����%�� ��c?�[� Wb�RI$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$�I$����p �:���A��#�J�G��=�%��� ��v�q�=���n�nQ�9�Ć�iv��.9�d�+ju.-p!����!A%6T�@$4K�p$ ?2Ģ�t�s���9�v���^\Z��_�]1û��oJ��k�o-y��mv��1�Ӏ���23�U�>�9�D�. Try a pair out for yourself and see the difference a pair of great small-diaphragm condensers can make in your studio. If you’d like to hear one of your mixes mastered, send it to us here: Get a Free Mastered Sample of Your Song → SageAudio.com/register.php. But the Neumann BCM 104 is an absolute steal for that price. The microphone shall be the Shure Model 545 (5453) or equivalent. A 17dB self-noise makes it a good option for quieter sources, while the 149dB Max SPL and -10dB pad make it a viable option for incredibly loud sound sources. Is it the price tag, or the flexibility – the impressiveness or the technical specifications? According to Shure, the frequency response extends from 40 Hertz (Hz) to 15 kHz. The cancellation at the sides shall be approximately 6 dB, and the cancellation at the rear shall be 15 to 20 dB. Of course, the 57 is a classic, but having a microphone specifically designed to capture the transient of a drum can make all the difference. However, its predecessor the Shure 545 is a lesser-known, but just as exemplary option. In fact, many may be inclined to believe that in this case, audio quality is being sacrificed for affordability; however, one listen to the sE X1 A and you’ll be sold. If you’ve been working on recording a project, and you’re at the mastering stage or looking for a reliable and affordable engineer, send us your mix here: We’ll master it for you and send you a free mastered sample for you to review. Next page. Printed in U.S.A. Permalink: Shure 545SD. Additionally, the TLM 102 has a low self-noise of 12dB, making it a great option for quieter recordings – be that a quiet detailed vocal, or maybe a finger-picked acoustic guitar. The microphone shall be a dynamic (moving coil) ground. If you’ve ever wanted to own a Neumann but couldn’t justify dropping that kind of money on a microphone, the Neumann TLM 102 is what you’re looking for. With a slightly different frequency response than the 57, the 545 has a subtly unique tonality, giving the impression of a 57, but with something different. What makes a great studio microphone? Shure SM 48 LC Bundle. Sometimes throwing the usual SM57 on a tom or snare and calling it a day doesn’t do a drum set justice. Shure SM57 microphones with A2WS windscreens installed on the lectern of former United … The point of any small diaphragm condenser is that it can be used as a pair. Neumann BCM 104 Cardioid Broadcast Microphone, 1. Is there a microphone you love but didn’t see here? If you like the SM57 but want to try something a little different, give the SM545 a try and see if it improves your recordings. Shure SM 48 LC. A relatively low self-noise of 16dB makes it a good option for quieter sound sources, while its full 20Hz – 20kHz. With a slightly different frequency response than the 57, the 545 has a subtly unique tonality, giving the impression of a 57, but with something different. We’ve all heard of the SM57, and for good reason – it’s an absolute classic utilized on countless hit recordings. Submit a ticket directly to Shure Customer Service staff, or reach out via phone or email. 10. If you find most of these microphones to be too expensive for your budget – don’t be discouraged. Additionally, its Max 138dB SPL and full frequency range make it capable of handling just about any instrument you throw at it. Although microphones are an important part of the recording process, keep in mind that many other factors come into play – like your preamp, your microphone placement, your analog to digital conversion, the performance being recorded, and of course, the ingenuity of the engineer. The SM57 is manufactured in the United States, Mexico, and China. Some of the microphones listed will be more suited for certain instruments like drums or vocals, whereas some will be more versatile, but all offer uncompromising quality and the utmost excellence in sonic quality. *++++*./45554/;;;;;;;;;;;;;;;;;;;;;�� � �" �� � Simply upload a finished mix: We'll master your song and send back a 1-2 minute sample at no cost. • Frequency response: 50 to 15,000 Hz CONNECTIONS when using the microphone with a balanced input, pins 2 and 3 are the audio signal carriers. A high-quality condenser priced under $100 is a rare find. It’s incredibly impressive 7dB of self-noise makes it the best option on this list for recording quiet sound sources. Figure 1. Another large-diaphragm condenser that’s gained popularity as a true workhorse microphone, the AT4050 is an affordable solution for many engineers. Cardioid (unidirectional)—uniform with frequency, symet-rical about axis (see Figure 2) TYPICAL POLAR PATERNS – 1 – Model 545L User Guide. With its attached, cable, the microphone is suitable for mounting on an optional, A25B swivel adapter, on a fixed pipe or flexible gooseneck, or, The 545L is ideal for use in critical public address sys-, tems such as those used in political conventions and legisla-.