Many melodies are made with the pentatonic scale. If you want to study the examples I went over in the lesson you can of course also download them as a pdf. I do hip hop as well as other styles like r&b, neo soul, and jazz. Time to take your natural instincts to a new level! When using the scale in this context it lends itself to a more bluesy sound. Now we have one we can use on the Am7, and we need to find one for the D7alt chord. Play By Ear The D7alt is resolved from the Ab triad to a G6/9 voicing that then continues up to a D triad and finally resolves to a Gmaj7(13) voicing. Learn the skills to get started reading worship chord charts and playing simple piano chords. As you may know G major contains three minor pentatonic scales: E, A and B. Stop struggling with your songwriting technique. Chord Inversions Lisa Witt I highly recommend this book! The idea is to use the pentatonic scale that is found on the #9 of the altered dominant. The verse and pre-chorus consist entirely of pentatonic melodic shapes, and it’s only in the chorus where we hear the 4th note subtly appear in descending scalewise passages. By signing up you’ll also receive our ongoing free lessons and special offers. It is resolved there by shifiting up a half step to a voicing from the Bm pentatonic scale and continues down to a D major triad where it ends. Blues Scales for Piano. Play any song on the piano with these 3 simple steps! That will keep your root note of the minor pentatonic scale the same as the major pentatonic scale.. I have chosen to use the B minor pentatonic scale because it has an F# so it is better at getting the maj7 sound across than the E minor pentatonics scale. You have been stellar in my book. Learn 3 easy worship songs on piano. But there’s a simpler way… start with a major pentatonic scale (notes: 1, 2, 3, 5, and 6) and keep the same notes.. Notify me of follow-up comments by email. Lisa received classical piano training through the Royal Conservatory of Music, but she has since embraced popular music and playing by ear in order to accompany herself and others. The scale becomes the G major triad with a 6th and a 9th. The last voicing on the Am7 can be moved up a half step to become a chord from the Fm pentatonic scale which is what we use for the D7alt. The major pentatonic consists of the 1st, 2nd, 3rd, 5th and 6th notes of a major scale. This scale is great for piano players, guitar players, and pretty much any musical instrument. The article explains how to use the Pentatonic Scales to improvise on the piano by demonstrating it on video tutorial. Keep it coming. Lisa Witt / In essence this is the same as playing G major pentatonic. Here is one, of many, excellent reviews: Excellent introduction to music theory This is quite simple: You can play the scale on one string for the B, G and D strings and then stack the notes to get the voicings shown in example 1: You can use these 3 note voicings as chords whenever you would normally apply the A minor pentatonic scale: Am7, Cmaj7, Fmaj7, Bbmaj7, Dm7, D7sus4. If the melody is avoiding using the 4th and 7th notes, does that apply to the chords you choose as well? They might result in a few more clashes, requiring you to adjust your melody if you like the progression: Written by Gary Ewer. The beginning of Oh Susana is a … If you enter your e-mail you will automatically be taken to the download link and receive an E-book with 15 II V I licks. This book took me through the basics in a step-by-step fashion. We’ll use the key of G as an example. Create emotion with just 4 notes from this beautiful pattern. When we use these voicings we rely on using more chord voicings for each chord, and the sum of the notes will give us a complete picture of the sound of the chord. The first thing you’re going to want to know is (penta) in pentatonic means 5. I recently bought your collection of e-books on song writing, chord changes and creating harmonies and I would just like to let you know how pleased I am with them. The “Major Blues Scale” is some less common than the “Minor Blues Scale”, and therefore we start with the minor and you will find the major by scrolling down. In some cases I have included a few suggestions on how you phrase when using the scale in that context. Lisa Witt / 500 Songs The exercises (with answers in the back) are very useful and enable you to ensure that you have understood the text. I often refer to your e-books for inspiration. There is a way to take a pentatonic scale that does contain the 3rd, but you need to use a minor 6th pentatonic scale, something I made a lesson on here: Minor 6th Pentatonic scale But in this lesson I chose to use the good old pentatonic scale that we are all familiar with, maybe I can return to the min6th pentatonic scale in later lessons. However, the 2nd and 6th steps are omitted because they are a 1/2 step from the 3rd and 5th. Let’s use E minor for our example. If you have any questions, comments or suggestions for topics or how I can make the lessons better then please let me know. A Pentatonic Scale is a scale that is made up of five different notes. It’s only 5 notes! Go here if don’t know how to build a major scale. Firstly, let’s take a look at the major pentatonic. This is just one example of how you can use this scale to help you improvise on the piano and keyboard. These scales are for obvious reasons perfect when playing blues on the piano. In that way you get an idea of what is available in the scale when used over the chord. This means any note can be played in any order or combination without clashing. We can also apply the scale to a G major chord that isn’t a tonic but instead a dominant chord. It is fairly easy to start using these voicings. The short answer is no, you can still use the same chords that you might use for any standard progression from major or minor keys. As a result, I feel I have a firm grasp of scale structure, intervals, and chord forms. Worship Piano This makes it much easier to manipulate the notes when improvising or writing melodies. By omitting these strong, dominant tones, the pentatonic achieves a total lack of the most dissonant intervals between any pitches; there are no minor seconds, major sevenths or tritones. This is because whenever you play a major chord, you can play any note in the pentatonic scale and it will sound good. Pentatonics are closely related to the traditional major and minor scales. In this course, you’ll learn the correct fingering for the Pentatonic scales in all 12 keys, for both hands